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Chief Joseph – Nez Perce
see below

Nellie
see below

 



 

Chief Joseph – Nez Perce
 

 

$35,000

Museum-quality Bronze Sculpture
#5 in Limited Edition of 6
Sculpture Size: Height  21.75”  Width  23”  Depth 14”
Walnut Rotating Base Size: Height 4''  Width 23''  Depth 15'' 
Contact Us for Artist Information

DESCRIPTION  
An American Indian chief is depicted wearing a dramatic eagle-feather bonnet, decorated with beadwork. Eagle feathers hang from either side of the headdress. His face is deeply lined but shows great pride. A robe worn around his shoulders covers much of the blue jacket worn underneath. His hair has been divided into two sections and wrapped with strips of fur. A multi-strand necklace is worn on his chest. Multiple colorations of patinas – from blue to varied browns to black – have been employed to impart additional interest and richness to the sculpture.

Certified Appraisal Report (2010) condition: “Excellent”

Artist Inspiration and Story 
Throughout the recorded history of the American Indians, there have been many great leaders. All of them loved their people and served their people, not themselves. But the greatest of all was Chief Joseph, for he loved all humanity - all life, not just his own people. He was a civil chief a member of the council of leaders. His authority, though subtle and kind, was more durable than a war chiefs, for it was acquired through dignity, calmness, dedication and principles. His words were respected by Indians and whites alike.

Circumstances befell the great Nez Perce' nation that forced Chief Joseph into the role of War Chief, and history records what a brilliant strategist he was. Truly great leaders will avoid war as much as possible.

Chief Joseph, pursued by thousands of U.S. soldiers coming from many directions, led some 400 men, women and children, with all their cattle and belongings over a 1,500 mile trek through some of the west's most difficult and hostile country; in the dead of winter, zig-zagging, doubling back and constantly looking for ways to avoid conflict with the soldiers. When a battle could not be avoided, and with only a small number of warriors, he would turn and fight, and prevail. After each such battle, he would gather his people and continue his objective: to reach Canada and join Chief Sitting Bull. Some 40 miles from the border, with sub-zero weather, weak and starving people, most of his warriors killed, he was overtaken. During the night before his surrender, Chief Joseph sent his strongest people on to Canada, among them his wife and new-born child. He sent his brother as their leader. He never saw his wife and child again.

He himself stayed with those who needed him most - those who could not go on. On a bitter cold dawn in Northern Montana, Chief Joseph surrendered with these words: "Our chiefs are killed...The old men are all dead...The little children are freezing to death...My people, some of them have run away to the hills and have no blankets, no food. No one knows where they are, perhaps freezing to death. I want to have time to look for my children and see how many of them I can find. Maybe I can find them among the dead. Hear me, my chiefs. My heart is sick and sad. From where the sun now stands, I will fight no more forever."

"In my portrait of Chief Joseph, I have tried to capture in his face, his wisdom, his love and forgiveness and to halo him with a war bonnet. Experience the feeling, the presence of Chief Joseph."

 



 

"Every Body's Beautiful" aka Nellie (one-of-a-kind)
 

 

 

 

$21,500

Artist Patty Buddeke ~ Rimrock Arizona

Stained Glass Mosaic Statuary Height: Approximately 4 feet
Statuary Weight: 25 pounds
Natural River Rock Base: 65 pounds

DESCRIPTION  Iridized and opaque stained glass with mirror, mounted on a river rock.

Artist Inspiration and Story 
Recycle discards into art.

"I was in Sedona talking to my sister-in-law at the recycle center she runs. Out of the corner of my eye, I saw someone discarding a fiberglass form from their recently closed store. As the form was being lowered into the trash receptacle, I asked if I could have it. With a strange look in my direction, it was given to me. I immediately knew what I was going to do with “her” but I wasn’t sure how to approach the task. She stood in a corner of my living room for a couple of months. I would look at her from time-to-time waiting until I knew exactly how she would be adorned.
My father had a 4’ replica of the “Venus De Milo” that he called Nellie. The statuary became my 'Nellie'. Not only was the fiberglass form discarded, the glass I used to create the designs are left over glass from a few of my other commissions. The pieces were too small to use in a panel so I put them aside to use in mosaic work. This just happened to be perfect for this art. The mirror I used for Nellie’s face was an old mirror that had broken and was given to me to use in my glass work. The fun aspect about “Every Body’s Beautiful” is that if you look into the mirror, your face is on that spectacular body!"